It’s the title of the very first single my fave rock band The Jesus and Mary Chain released. It’s also the title of my painting – pictured here. At first, second, or third glance there appears no good reason for this painting to have that title, especially since it’s painted in the realist and not my favored abstract or expressionist style. But there is one. A reason.
For the first time in my relatively brief (given the number of years I’ve roamed the planet) career as an artist, I painted a painting entirely upside down. The idea came from the book “Drawing From the Right Side of the Brain” by Betty Edwards. One of her techniques is to practice drawing images when they are turned upside down. It’s supposed to lower the light and activity of the logical left side of the brain and amp up the cells on the way-more creative right. I’ve done drawings that way a number of times, with results varying from wicked cool to what-the-hell-is-that.
Anyway, I had the flash, one day in my wife’s garage-turned-studio, to try an upside down painting.
I had some old, used books of photos from around the world and I found one of a fishing village in Canada. Deciding on it as my subject, I did something else I had never done before as a painter and graphed out the photo. You can see that in the picture to the left. When that was done I penciled in a similar graph on the 20 x 24 canvas. Standing close to the finished painting today some of those pencil marks remain visible through the acrylic paint. There’s also a vivid example of the process in the lower right with the blue boat. The graph mark cuts that boat right in half, but since I was painting one graphed square at a time the boat is slightly off and it almost offers the appearance of movement and another dimension. We painters call things like that fortunate and happy accidents. Often I prefer “Duh”.
Anyway again, before applying the first brush of paint I turned the graphed picture upside down and began painting – a square at a time -from right to left, top to bottom, on my canvas, in actuality painting the sky last. I never once turned the painting over to see how it was going, not until every inch of the canvas was covered and the paint had dried. I say, in all modesty, that I was shocked at how lifelike the houses on the bluff/hill came out. I have never been able to paint a house with windows that well right side up again – before or after. Ever.
I tried the graphed, upside down technique one other time on a painting, attempting to copy my favorite artist David Park and one of his paintings. It didn’t work very well.
No lessons to be learned here, no moral nor heavy thought. No keen insight or words to live by. Simply a little story about a painting I did upside down.