Buddy Cushman Art

engaging stories of hope and joy


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Rap-sody in the Rain

I was on the phone with my main man Provincetown Keith the other afternoon. He was in a van with his squeeze Sally, tooling down US 287 west out of Lawton, Oklahoma with a destination somewhere around greater Amarillo, TX in mind. Keith is one of my three spiritual advisers (which include him, head East Bay drug czar Gavin O. in Oakland, CA, and my wife Susan, currentlyLawton upstairs doing something healthy and useful.) I’d called Keith because I was in need of spiritual advice.

I was out on a walk and it had begun raining — well, here in Portland, perhaps I should more accurately say it had resumed raining — anyway, water was oozing down from the sky and I was attempting to protect my non-waterproof smart phone by holding it up somewhere between the collar of my raincoat and the brim of my Red Sox baseball cap, my right arm curled up and around in some Dali-like abstraction of human anatomy, and still keep the microphone end of the phone pointed toward me because I was in need of spiritual counseling, I was in need of comfort — comfort from my own anguished thoughts and — what I was about to admit — escalating resentments.

So I laid it out for Keith, after perfunctory “what’s ups?” and “good to hear your voice Bro’s”, I’ve published a new book, it’s my second book of poetry, it’s my fourth overall, and I’ve sold just three copies (not counting the eBooks my wife and I both ordered on differing electrical devices) and what do you have to do, how much begging will be enough, and yes, okay, I did quote from Rilke the question of whether or not I would die if I didn’t write, which feels strongly like an affirmative for me so, yeah, the writing’s the thing, and also asked, as a devilish advocate, if you write a book or write anything for that matter and no one reads it, like what’s the point? And Keith, and he’s good at this, interrupted repeatedly through his laughter saying “Dude, you’ve got your own answer”, and me firing back then why don’t I just write, say, the greatest book of poetry ever written and then run out to the backyard and set the mother on fire, and Keith said “Come one man, please, seriously?” and I said I know resentments are bad, but still, and Keith said “Ah, there….there in the ‘but still’….there’s the disease.”

It should be reported here that Keith and I met way back in the fall of 2007, just when the Red Sox were ramping up their second World Series run, at early morning meetings in Provincetown out at the tip of old Cape Cod where a whole bunch of people — who’d gotten up early to do so — spilled their guts about pain and struggle and joy and release and, yup, resentments and even feeling free at last, and pretty early on we — Keith and me — figured out we were spiritual buddies, and over these last 10 or so years we’ve taken turns at the spiritual nourishment thing depending on who needed it the most on that particular telephone call — and a sad fact is that we have not laid eyes on the person of each other since the summer of 2008, being only phone advocates of abundance and joy…..

Then I nicked the wrong thing on the side of the phone or they passed through a cell phone dead zone or a chuckling God farted or something because the phone went dead and I trudged home in the rain and they, I presume, kept motorvating west, and when I arrived home I texted Keith and said okay, I got it, that feeling of self-pity is leaving me, I get it, and the next day, maybe two days later, he messaged me and said as soon as he and Sally landed somewhere they felt like hunkering down for awhile — so as to have an address — he was gonna order both my poetry books on line and he was so proud of me and I was like a hero and other cool spiritual nourishment and comfort statements.

Meaning mostly I was comforted in the not selling any books thing because, like the men (Rilke and Keith) said, I wrote the damn things. And how cool is that.

Then, 20 minutes ago, I read a quote from Samuel Johnson in the preface to Mary Karr’s “The Art of Memoir” which said this —  “No man but a blockhead ever wrote for any cause but money.”

Which may necessitate another call to somewhere in the southwest.

Some day

I’ll fall back

Into the pattern of the world.

I’ll still be free

On the Orleans rotary.

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10,000 Revisions

Open Mike 2

I pray today is a day of no wasted time. Exactly none. I’ve been successful so far though it is only five minutes past seven in the morning. In the morning recliner I was reading the poems — a few — of Pablo Neruda from a library book of his complete works. Mostly I was reading from the lengthy introduction. From there, on the second cup of coffee, I moved on to breakfast recipes in the Tassajara Recipe book, which arrived earlier in the week via Ebay and set me back only four dollars and some cents including shipping. I took a little time to ponder over five photos of myself the resident Papaccino’s coffee shop photographer slipped me in an envelope from a local print shop as I made my way back to my seat from the microphone in the corner of the room. Two months ago I could not have imagined reading anything — a recipe, a prayer, some passage from one of Dr. Thompson’s Fear and Loathing books, anything — in front of people, having developed (I remember distinctly) a variety of panic disorder reading in front of a group of men in a brightly lit basement room in a church on Medford Ave in Somerville, MA — all with hyper-ventilations and heart interruptions and fear of not catching a new breath — ever again — meaning I have refused to read in public for more than ten years.

This morning
Gray with misunderstandings
And surrenders
Distractions of the highest order,
Golden,
Enticing in their ambiance
Welcome turnaways from
That hungry child
In the public school door.
She’s invisible.

But this was my fourth appearance up at the open mike, after one initial week of panic and refusal, and some neighborhood guy was handing me pictures of me. By the way, I look old though I can happily and honestly report I feel within my mind and spirit and soul quite the opposite, even in a world of aching knees and prescribed cholesterol medication.

Last night I read two poems from Minor Revelations and one from my second book of poetry — Dictation from the Backyard. I finished, placing my hands on the provided metal reading stand to keep the shaking less visible, with a poem I’d written only yesterday morning, I felt compelled to read it even if it didn’t feel in it’s final state — kind of like how I feel about myself….not my final state, not yet. Still, the poem is titled 10,000 Revisions, which could or could not be some metaphor for my own transformations.

Someone yelled out, after my first poem, “Did you write that?” Someone else approached me when the open mike thing was over and said he wanted to buy a copy of my book. I said I’d bring one next week. Meaning I can’t be wasting any time…..anytime.

I’ve followed you to the carnival,
Followed into the funhouse,
All it’s laughable distortions.
But see,
Here,
I hold a mirror
True in its reflection
Taken from atop the girl’s
Second-hand dresser,
A birthday gift some year back
I’ve watched her hold it
In one hand
Brush her hair with the other, and
Now I’ve borrowed it
As if it is a breaker
To be snapped closed
And cut through
The tripped darkness,
Which is intentional
And obligates me
To flip the switch.