Buddy Cushman Art

engaging stories of hope and joy


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Love Is An Ocean I Can’t Forget

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I am going to the ocean tomorrow. To this place.

I came from the ocean. I know, supposedly we all did, if you’re a Darwin kind of gal or guy. But, specifically, for me, I came from the ocean side. Born in New Bedford – the Whaling City – raised in Wareham, a town filled with beach communities and bays and water all about. I graduated from Cape Cod Community College, a half mile from the Atlantic on those Main Street days, and later Salem State College, a stone’s throw from Salem Harbor/the Atlantic. I lived in Salem for many years, then off to Rockport and its peninsula self into the Atlantic for a winter, eventually to Plum Island and Newburyport, where the mighty Merrimack River flows into the cold ocean there.

When I first left Massachusetts, at age 27, I flew to Los Angeles and lived for a short while in both Venice Beach and Santa Monica. Later crashing in graduate housing at UC Irvine, hard by the Pacific, and working for a spell in San Clemente, able to take an occasional dip there or in Laguna Beach. A few years later it was New Smyrna Beach in Florida,ariel-view then Vero Beach. Back up to Mass and a year-long stint running an HIV/Aids housing program in Provincetown, a block from Cape Cod Bay. I squeezed a year and a half in Oakland, CA somewhere in there, crossing the bridge or taking BART under the San Francisco Bay, while running a kid program in the Lower Haight. Where, with the right eyes, you could see salt water from the tops of the highest hills. And certainly from Berkeley out from Blondies Pizza.

Yet somehow, within the reality of this always-by-an-ocean Bedouin life, I ended up in Portland, Oregon. Nearly 100 miles, as the raven flies, to the ocean. The Pacific. The one in the photos above. Some two hours away. Let me paraphrase “Remember the Titans”: How far? Too far? How far? Too far.

You can take the boy out of the ocean – if you must – but I don’t believe you can take the ocean out of the boy. Certainly not this boy…..Ocean si, Portland no.

I married an amazing woman

moonlight+beach+encinitasand her parents live in San Diego, and I have traveled there with her many times and everyone of those times been lucky enough to spend time in the Ocean Beach part of town. And swim there. A lot. We’ve day-tripped up to Encinitas a couple of times and swam at the gorgeous Moonlight Beach as well.

 

But most of the time, for these last eight and a half years of beach-withdrawal life in Portland, I have ached for the ocean. Deep down. I’m a beach boy. Look at my writing: “Ring Around The Rosy” and it’s ocean-side wander from Marion to Rockport; “Astoria Strange” where the Pacific sparkles and shines from the top of the Astoria Column. My current work, “When I Settle For Less“, book one of a novel set in southern California’s imaginary DeLoreal Beach.

You can’t take the boy out.

I’ve been blessed with the fact that my step-daughter Marie’s dad, my wife’s ex, owns with others a cottage three hundred yards from the Pacific Ocean in the Pacific Beach community of Tierra Del Mar. We rent it cheap for the promise of an amazing cleaning by me (and it’s always cleaner after than before), and I’ve been able to go and be there many times these last six years. The last two Marie and I – both writers – have commited to a “Writing Retreat” of five days/four nights, and I am thrilled to say our third such venture begins tomorrow. If the creek don’t rise and there ain’t no meltdown I’ll be right there, where I took those photos at the top, in a little less than 24 hours.

Get to refresh the genetic shadows deep within, of life by the water.

Get to rejoice.

"Gorgeous sunset from UC Berkeley!"

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A Wareham Druids Freshman Tabor Musical Contest

Blue Flowers

 

I’m thinking of a song.

This is a song that reminds me of my hometown of Wareham, Massachusetts, in the US of A. I’ve been thinking about my hometown more than usual this week and posted in this Blog Tuesday about the good old days and some of the bad new ones. That post received quite a bit of attention and a number of comments, one of which, from Thom Laine, was musical in nature.

I replied to his comment and in my response mentioned that I had been for a brief period in time a member of a musical group in Wareham. We called ourselves The Druids (I don’t remember why) and consisted of Billy Fisher on guitar, Wayne Lavallee on drums, and a summer kid from Hyde Park (in Boston) named Roy (last name lost in the cobwebs of my mind), who played bass or rhythm guitar (again, the brain cell thing) and lived summers with his family in Swifts Beach – one of Wareham’s many and distinct and wondrously enchanting beach communities. Oh, I was the singer. Billy was a couple of years older than me and actually was on active duty in the Navy, stationed in Newport, Rhode Island. Wayne was a year older. Roy was around my age and had a brother and I hung out in their summer house. We held practices in Wayne’s garage, poured concrete floor and all, which – I believe – officially makes me a member of a garage band. Cool.

 

April Flowers

 

We got to play in public, at least two places I remember were a Wareham High School freshman dance (and my memory here in crystal clear of screams and wails from the female members in attendance, just like with The Beatles) and in a battle of the bands in next town over Marion at Tabor Academy (along with Wareham’s Table Scraps), said Academy so many years later serving as the slightly unreal Tabler Academy in my first book, “Ring Around The Rosy”.

We sang cover songs. Other groups’ songs. One of which I’m thinking of right now. And in the spirit of fond remembrances of days past, I’m offering a contest. This is it — correctly guess which song we covered – one guess only – and in my mind today and be the first to post your answer on the Blog itself or my Facebook page and you will win one of these three paintings I have recently created, your choice. Each is painted on 11 x 15 watercolor paper in acrylic, and will be packaged as safely as I can get it and mailed out tomorrow. I might even throw in a Wareham-related surprise.

 

Duck

 

The rules are simple: Guess the song (remember, one guess per person) and reply on the Blog or my FB page. And be the first with the correct guess. Of course, as there are probably 127, 555 songs in my mind from which I might be listening I’m going to give you three hints. I’m hesitant to do so in fear it will be way too easy. Heck, I’d only need one of these hints to make the correct guess. But in the spirit of fairness I feel obligated to help out. So, here they are.

  1. The song was originally released between 1962 and 1969. (Which you probably could of figured from the years of and around my high school life. Duh)
  2. The song was released on Capital Records. (Hmm, could this be any easier….Beach Boys, Beatles, Bobbie Gentry, The Lettermen, The Righteous Brothers, Quicksilver Messenger Service, Helen Reddy, Gene Vincent and His Blue Caps, Don Yute….a few others. Heck, I might as well just tell you.)
  3. This would have been a great song blasting in a convertible roaring down Route 66. (Sorry Helen Reddy.)

Okay, I’m sure I’ve given it away. Thank you Billy and Wayne and Roy and especially Wareham for the memories. Swifts Beach and Tabor and The Table Scraps and The Revolutionaries and  The Monday Club and summer crushes Roberta Magarian (Lexington) and Pattie Parent (Wakefield) and Elaine Flinkstrom (Easton) and Parkwood and High Street and  Royal’s front yard and Main Street and Onset Beach and plain old Route 6 – thank you too.

I bet you get the picture.

Call me. We’ll have lunch.

(Contest ends tonight, 7/13/17, at midnight.)

 


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Back In My Little Town

 

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Once upon a time, far away and long ago, I grew up in a small town in Massachusetts named Wareham. Hard by the Buzzards Bay inlet of the Atlantic Ocean, and no doubt a clone of sorts from Wareham, England, itself hard by Poole Harbour and its larger Atlantic mother. The “Gateway to Cape Cod”, that’s what it was called at times, that’s what the sign said out on Route 28 by the Chamber of Commerce. Situated just before the Bourne Bridge crossing over to The Cape, at the confluence of the Cape Cod Canal and Buzzards Bay.

I was lucky to have grown up there, for many reasons. It was a gentle place, mostly, dotted with beach communities and summer homes and summer days, Cape Verdean enclaves and culture, pine forests, and luscious ponds carved out by retreating ice-age glaciers. In the winter we skated those ponds, pushed against the sparkling frosty air, sometimes with a stick and a puck at our feet. In the spring, summers, and fall we fished, especially me and Donnie Sisson, usually Mill Pond – both sides of 28 – but others as well – Tihonet, the horseshoe mill, in West Wareham. Donnie had a hand-made net contraption thing, and we would wet it and rub damp Sunbeam white bread into the bottom and throw it in the Wareham River in back of Franconia Oil, just over the railroad tracks, and come back an hour later and haul it up, usually loaded with chubs and shiners, and these we would put in buckets of water and on our bikes create amazing acts of balance with buckets and fishing poles and tackle boxes and cruise to the spot of the day. In fact the Wareham River is, to this day, never far away for me, though I’m away 3000 and more miles as the red-winged blackbird flies. The River remains always in my mind and heart, I bet it’s in the blood that pumps and gravities through my body. Yes. I painted my feeling about it a few years ago. That green and gray thing up there.

Little Harbor Beach was another place of childhood summer days, with the folks and sisters and picnic lunch, blanket on the hot sand, and horse shoe crabs in the endless low tide wading and splashes, later on as a place to drink beer and park at night as the sun went down. With summer girls if we were lucky. I painted that too, actually a view away from the harbor and its Buzzards Bay supplier. This.

Little Harbor Lookaway

I write about my hometown today because yesterday on Facebook were links to a Wareham story of death threats against children and a militarized response and endless hours of parent and child anguish. Simon and Garfunkle sang about My Little Town. They also sang of a Mother and Child reunion. Here’s a link to a story about it all from a local news site.

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Reading the words, looking at the pictures, here in the Pacific Northwest, tears fell from my eyes. I couldn’t help it. They just fell. More water, like the Wareham River, like Little Harbor, like Buzzards Bay. More water, like my childhood.

Mary Hopkins sang a song back in my growing up time – “Those were the days my friend, we thought they’d never end.” The Kinks sang a song then too – “We had our good times pal, we thought they’d last forever. But nothing lasts forever.”

When I crawled into bed last night my wife Susan, still awake, asked me, because of the way I am these days, if I had lost all my hope for the planet. My answer was “Most of it.”

Forget all the miles. It’s a long way from flying down Lincoln Hill on our bikes, hanging at Jay’s and Minnicks, dreaming of summer girls on Parkwood Beach, working at the record store, growing up with friends – it’s a long way from there to here. Today. For me.

 

 

 

 

 

 

 

 

 

 

 

Oh, to look through those childhood eyes again.

 


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Oh My Head

A ditty on the near-psychotic state into which I’ve fallen post and pre-publication of my first two books.

I spent various stretches of time within a two and a half year period writing and completing “Ring Around The Rosy”. Make that three years, and even more time/life devotion in the research and writing of my forthcoming “Astoria Strange”. (And when/if it will be forthcoming is a story I’ll get to in a moment.)WB_Cushman_Front

I’ve stated in a previous log that when it comes to understanding and following directions related to anything with even the slightest hint of technology – see, creating PDF files for book covers, formatting to meet print and eBook requirements, assembling a yoyo — I’m lost. And useless to myself.  So I have to find who can do those things and pay them to do them for me and then hope they are done correctly (which I’m discovering is almost never) when I submit them in the hopes that a book will, as if by magic, appear.

Eventually these issues/struggles/headaches were worked out with my first book and my “Rosy” saw the light of day. To date some 50 people have bought copies, for which I am exceedingly grateful, one small step toward my goal of 10,000 copies sold. However, only 20% of those purchasing people have, subsequent to reading it, gone over to Amazon and left a review – and I’m talking three or four lines, not the Gettysburg Address. I don’t know why that is, I honestly don’t, though a dark cloud of suspicion trails behind me and whispers that many if not most of the buyers never bothered to read the book. Seriously. Maybe they bought it to be nice, to be friendly, to support a first-time author. But they didn’t read it because, as has been noted in a previous post on this Blog space, 53% of everyone over 18 years of age in the United States never reads another book – not a one – after leaving high school. Which, I am coming to believe, sadly, includes my Facebook and email and Twitter friends and followers. Like, before this, I thought my friends had to be hipper than the general population. But.

What’s an author to do? I have begged and cajoled, reminded and revisited book-buying friend after friend to take four or five minutes and leave an Amazon review. Because I’ve learned that there’s something called an algorithm, and for Amazon books that magic number is 20 reviews. Twenty reviews pushes the algorithm and that pushes the book in front of a lot more people. And please let me be clear here. Short of a terrific Stephen King endorsement or a call from Stephen Spielberg, he’d like to purchase the rights for his next film, this isn’t about making money. Full disclosure reveals that for each paperback I sell on Amazon I clear a hefty $2.78. For each eBook it’s $2.02. To date my expenses to publish and then minimally market “Rosy” are something around $396. That includes a number of paperbacks I’ve bought in bulk, to sign and sell, and on those I make a little more.

The point is, it ain’t “Show me the money.” What it is, and I’m betting this is true in some manifestation or another with every author, is having the book seen/read by a whole bunch of people. Because I believe in it, think it’s good, think it has positive things to say about life, human qualities we need to be reminded of now more than ever.

This will be true for “Astoria Strange” as well, and in fact, because the number of words are much greater than in “Rosy” – more than three times greater – the book will cost much more to prinfront_covert and I will have to charge more for each book, and after all that make even less per book, like $2.44. It’s not the money. As Salem State (MA) College professor Jay McHale once said — “The tissue is the issue.”

I will have published two books in my 69th year on the planet, and my preference is that people read them, at least those among the 47% who actually continue to read after their 18th birthday. I say “will have published” because this morning I received the proofs back from Amazon’s CreateSpace publishing company for the final check before they become real, tangible, hold them in your hands things, and lo and behold, the “A” in Astoria was sliced in half off the front cover.  Maybe the book should be titled “Storia Strange”, maybe there’s an alliterative spell to be cast. Hopefully they can fix it, I like it the way I wrote it.

The writing is hard, in a way, and also incredibly thrilling – it’s beyond a mescaline trip to watch as things happen completely on their own, and characters show up never before considered. Like three homeless guys in (A)storia, and a junior high girl named Elsbeth Dowd. Never mind detectives from other states that show up in the quaint Oregon coastal town and jump right into the middle of all the hooptedoodle. Yes, there’s magic in being a writer.

The technical stuff, the half-assed attempts at marketing, the chronic begging of friends for support – I’ve come to learn that part of being a writer is what it is. Add it all up. At least for me, it means a self-publishing, rushing toward 70, left coast yippie finally living out this particular dream.


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I Am Not Your Honkey

Obligation.

Please keep this word in mind.

In the last week my wife Susan and I have watched three movies, two in the theaters and one on a DVD at home. The movies were, in order, Hidden Figures, Moonlight, and I Am Not Your Negro. Each presents, in its own way, a view of the black experience in these United States of America. You already knew that. Moonlight, clearly, and I Am Not Your Negro, less so, also shine their light on the experience of growing up gay in the USA.

Honkey 1Last night, driving home in the cold Portland rain, having just watched the James Baldwin penned I Am Not Your Negro, Susan and I took turns discussing how we felt about the movie. You’ll have to check with her about her opinion. It will be worth your time. For me, as I sat in the nearly all-white audience in nearly all-white Portland, I was reminded of a thought I had had earlier in the week. Regarding my writing – my fiction. And I explained the connection to my wife as best I could.

I have been trying to market my first published book – “Ring Around the Rosy” – and I have been actively promoting it on Twitter, with, realistically, poor results. In terms of sales anyway. I’d been thinking, earlier in the week, that I was getting very little response from the many LGBTQ and Trans folks I follow on Twitter, and to whom I fairly regularly comment and like and retweet and do all the twitter things to do. Then I had this clarity – why should they? There are no gay or lesbian or trans or questioning characters in my novel. There are characters with what are considered disability – down syndrome (2) and cerebral palsy (1), and as such I have had a some positive response with folks connected to that population, and have sold some books. But, in Rosy, there was and is no gay/lesbian/trans character to be found.

Then I began, the middle of last week, thinking about my second book, currently in what I hope will be its final editing stage and therefore ready for self publishing within the next four to six weeks. That book will be titled “Astoria Strange“, an interwoven collection of 11 stories that live in the genres of supernatural and horror. honkey 4And, lo and behold, narry a LGBTQ character there either. I am neither gay nor trans but this isn’t a case of the admonition to write what you know. It’s me not coming to my writing with what I’ll call “Big Mind.”

Anyway, last night on the drive home I told my wife of the earlier-in-the-week conversation with myself, the smallish “aha” moment, and that sitting in the theater I was feeling that feeling again. James Baldwin’s crystal clear conclusion – the trouble in the United States is race trouble – and it was and is therefore everyone’s responsibility – No, the word was Obligation – it was and is everyone’s obligation to work hard at understanding the other experience. Or else. That was how the movie ended – You have an obligation, white people, to do everything in your power to commit to and thoroughly understand the black experience in America. Or else.

And for me, sitting in the theater, I had the clear awareness that, as a writer – certainly as a Blogger like right now, but as a writer of fiction – I have the obligation to be more expansive, to write with Bigger Mind, to read and study and learn and hang out with and experience and do everything I can do to know more, within the reality of my white skin and heterosexual template, and to get that more-ness into my writing.

It’s my obligation.

I am happy to say, well, it makes me feel better somewhat, that my “Rosy“, within its 14 characters, has three who are black – Marvin, his mom Bonnie, and latecomer Greg. That’s better than no gay, lesbiaJames-Baldwinn, or trans characters. And three characters with disabilities. And that the forthcoming “Astoria Strange” has as one of its primary characters, a black man – Sergeant Rennie Moss. As does my story/novella waiting for me to get back to it – “Bennie’s Berkeley“. Plus, thinking about my obligations, and I shared this with Susan, I am going back into stories in progress, including a collection of short stories and one not yet complete novella, and see where I can be more inclusive, more expansive, more commited to my obligations to help the planet, and in particular help my badly bleeding Country, and to do that the best way I can now, in March of 2017, with my writing. My stories. The stuff of life I sit here and make up out of my imagination and therefore, in a rare instance, have virtually complete control over to create whoever and have them believe and do whatever, whenever they feel like it.

Because it’s my Obligation – capital O – to do my part, to shine my little light, to keep my eyes on the prize, to hold up my sign that says “I Am Somebody (and so are You)” and keep marching to the freedom land.

I’m a writer. I write. I’m a published author. I publish. And I can make a difference.

I might be a straight old(er) white guy, but you know what? I am not your honkey. I can bring Big Mind to my otherwise White writing and do my best to be part of the solution.

Because not trying to learn more and understand more and be your best at empathizing more means something else – that you’re part of the problem.


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So Many Pedestrians, …

When I moved to Portland, Oregon I had to learn a new way to cross the street. I’d grown up in Massacchildren-crossing-sign-k-7066husetts and had spent most of my life living – and crossing streets – there. Now I was living in Portland, a city of about 500,000, similar in population to Boston. The last place I had lived in Massachusetts was the town of North Truro, on Cape Cod, population about about 318. (Actually the town of Truro, of which North is part, has a population just over 2000 so I am likely underestimating – in my usual smart-alecky way – how many people live on the North side, closer to Ptown. The point is, not a lot.)

None of which is the focus of this piece. I was talking about crossing the street, and re-learning the way to take that action once I’d relocated to the Northwest. You see the title up there, up at the top of this post? It is, in fact, half of a popular bumper sticker seen periodically on the rear bumpers of cars whooshing around the Bay State. In it’s entirety it reads like this – “So Many Pedestrians, So Little Time”. If you’re a Bay Stater, you get it.

When I moved to Portland and needed to cross the street I would step to the edge of the curb or into the curb cut or even off the curb if I felt foolhardy and wanted to live dangerously – and wait. Approaching cars, somehow having seen or perhaps sensed my intention from more than half a mile away would slow down and eventually stop. Up the street from me. Being from Massachusetts, where we take it as a God-given right to actually gun the motor at the sight of someone foolishly teetering at the edge of the curb, I would wait. The car would wait. I would wave them on with my hand, cause there’s no fuckin’ way I’m stepping out there Bro. They would wave me across. I wouldn’t go. They wouldn’t go. I would feel something like frustration, like, just go you asshole. They would feel something like rage, because I was making their sensitive and kindly and well-trained in driving etiquette selves waste time, and I have little doubt that perhaps more often than not they would slide their fingers under the driver’s seat, or maybe into the purse to their right, and feel the reassurance of cold steel – locked and loaded, one in the chamber, safety off motherfucker.

What’s a boy to do? Because I know, growing up where we have bumper stickers that yearn for just a little more time, that if I step off the curb and start the dead man walking stroll across the macadam some perverted Celtics fan is going to gun that bitch and twist the wheel ever so slightly in my direction. So I don’t go and the Portland car don’t go and I wave and they wave (and sometimes you can’t actually see the face behind the wheel and it’s freaky and scary like that movie “Duel” with Dennis Weaver and the invisible truck driver, which was actually Stephen Spielberg’s very first  full-length film btw) and I mutter under my breath “dumb Portland asshole” and have no doubt that they mutter too, except in braille, with their fingers on the trigger.

And so, back to Cape Cod and without disparaging the truly lovely and inspiring town of North Truro, the fact is you’re way more likely to get gunned and runned there than with the half a million sweet automotive souls in the Rose City.

Which is mostly meaninmonday-pic-2gless – all of it I’ve just written – to this Blog post. Because this is a post about reading, about reading books, about the 50% of the United States population that continues to read books after graduation from high school, and about what I was thinking early this morning, in the blue recliner with my second cup of coffee, looking at the pile of “to be read next” books on the little wicker thingy table beside the chair, and I had this thought – “So Many Books, So Little Time.” Honest, I had that very thought. There were three books I’d just purchased at Powell’s with a Christmas gift card and two out from the library, and three old Kurt Vonnegut paperbacks and the copy of Desolations Angels I’d finally bought for myself after having read Kerouac’s book (my favorite of his) twice out of the library, and I said “Man, there are so many books to read, I’ve got to read more” and I thought “so many books” and then, as if by the magic of one bread crumb leading to another or, possibly, psychosis, the bumper sticker found on cars in Massachusetts, the one that says if I had any wish in the world – other than world peace – it would be for just a little more driving time, that popped into my head and I ran down here in the basement and turned on the computer and typed in the headline above, then went upstairs and took the picture of Steinbeck, Steinbeck, and Bradbury, had a bagel and some yogurt, looked at Twitter for a while, and then came to the keyboard – which I do quite a lot these days – and typed up this daydream about living life right, where you wait for all the cars to go by, and living life wrong, where the cars wait for you, and they’re not happy about it.

And by the way, in the spirit of full disclosure – drivers in Massachusetts are way, way, way betters drivers than drivers in Oregon and Washington and probably most everywhere else will ever be.

Word.

Stay off the road. Read a book.


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Interview With Author W.B. Cushman – Part Three

Editor’s note: Clarrisa Everglad is a former journalist, and Professor Emeritus at Cape Cod Community College in Barnstable, Massachusetts. She is the author of seven books on fiction and fiction writing, including “Show Up and Follow“, winner of four internationaltierra-del-mar-2-061 awards. She regularly interviews authors on their fiction work.

Following is Part Three of an interview with new author W.B. Cushman of Portland, Oregon. His book is “Ring Around the Rosy“. The interview was conducted by phone from Everglad’s home office in Orleans, Massachusetts.

Everglad: We’ve gone off topic, a little, away from the book which is the focus of this interview. Though the points you’ve made about the writing process, and its joy for you, are most interesting and, I believe, invaluable. I’ll want to ask you more later. But now, back to your “Rosy“. There is a small paragraph coming near the very end of the story that stands out for me, in its language and, I’d say, subject matter. I’d like to read it to you and ask for your feedback.

Cushman: Okay.

Everglad: Here it is – “The sun slid out from behind a passing cloud, and a soft breeze moved across the land and out over the ocean. If there were seagulls they would have been making their seagull calls. Minnows would swim around eddies in sand pools created by the eternal waves, and small brown and gray pipers would chase the tiny fish back and forth, playing tag with the rhythm of the watery world.”  It’s quite lovely, for me as a reader, and different in the power of its imagery from much of the rest of the book.

Cushman: Thank you, Clarrisa, for bringing that paragraph into our conversation. It may be my favorite paragraph in the book. If I can take a minute I’ll explain why.

Everglad: Please do.

Cushman: My favorite genre in fiction writing has always been mystery. I love speculative and horror, if its good – like Stephen King’s – and lots of science fiction. Clearly Rosy falls into a speculative category, and most of my writing – “Astoria Strange” and another collection of stories I’m gathering for publication down the road, “Collected Strays” – is horror and science fiction in nature. But, there is something about mysteries, Detective mysteries, that satisfy me most. Perhaps my favorite mystery writer is author James Lee Burke. He has a series of maybe 20 books with a character named Dave Robicheau that is outstanding – the plots, the characterizations, the ongoing story line. But, what sets him apart from other famous and successful mystery writers is, for me, the power of setting he creates with language – language that allows the reader, transports the reader, to be there completely, to see it, hear it, touch it, smell it, experience it. There is a majestic poetry to Burke’s writing. And, to the point you raised, Professor, that is an ongoing goal of mine, as a writer, to use words to pull the reader thoroughly and willingly into my story. It’s a goal, like I said, and at this point in my time as an author I’m nowhere close to where I want to be. Having said that, the paragraph you quoted is me moving toward that place. The story of Rosy and all her traveling companions is coming to an end, at least in this book, and, for me, the end feels so much like a pause.  So into this pause comes a memory, told as an ‘if only’ – if only life as Rosy and her friends knew it continued to exist. Then seagulls would be seagulls and the tides would come and go, with shoreline inhabitants doing there forever shoreline things. I stopped at that paragraph, when I got there, and tried to infuse it with a Burke-like sense of thusness. Look and hear, and you will know this and remember, what’s gone now. In a way coming in a complete circle back to a sticky summer day in August when kids went to aquariums and the waves in Buzzards Bay licked the hurricane wall in New Bedford Harbor.

Everglad: That’s well said Mr. Cushman. Your explanation with a poetry of its own. And I do know Burke, and like you, I am a fan. I also appreciate your honesty, that to write with the sense of majesty you describe is, for you, a goal, that you are not there yet.

Cushman: I’m nowhere near there. But it’s good to have goals.

Everglad: I would hope that every writer would hope to improve with each passing day, and story. Do you have a plan to help you on that path?

Cushman: I read a lot. Maybe four or five books a month. I’d like to read mbooksore. In his book “On WritingStephen King says the two most important things a writer can do are read a lot and write a lot. So those activities are certainly the foundation for becoming a better writer. Which includes reading books about writing. I just mentioned King’s, which is my favorite. Another that’s important to me is Ray Bradbury’s “Zen and the Art of Writing”. Those are both autobiographical as well as instructional. There’s a third book as important for me and that is “The Art of Fiction” by John Gardner, which is more of a textbook.

Everglad: It is a very important book for any aspiring writer.

Cushman: I took a class – Fiction Writing – at Portland State University, either in the Fall of 2014 or 2015, I can’t remember. One of the reading assignments was the first chapter of Gardner’s book. Upon my first reading I had the reaction that there was an arrogance in the writing, what he was saying. I remember saying that in class, and I’m pretty sure I remember the Professor chuckling, or something like that. Anyway, for some reason, a couple of months later, I ended up going on Ebay and buying the book. A brand new paperback copy. Now I’ve read through it at least twice, it’s marked up and highlighted and underlined, meaning I’ve made it my book, and like I said, it’s become very important for me – as a student of writing.

Everglad: What about it speaks to you, and if you can, please relate that to your writing of your newly published book.

Cushman: In the second chapter of the book – which for me is the bonanza – Gardner says, “Fiction does its work by creating a dream in the reader’s mind.” Further in the chapter he says, “What counts in conventional fiction must be the vividness and continuity of the fictional dream the words set off in the reader’s mind.” That, for me, is the highlight statement in the book, and the thought I carry all the time I am at the keyboard, or brainstorming with myself on a yellow legal pad. What I ask myself – Am I continuously engaging the reader with the vividness of my writing? That is The Question, and I emphasize those two words, for me and my writing. So, with Rosy, the feedback I’ve received so far would indicate that I have had at least some degree of success in the continuity of the story maintaining reader interest, in a couple of cases people asking about a potential sequel, wanting to know what happens next. I’d like to think that I was able to move forward from the story’s apocalyptic beginning and create first three and then more characters who mattered, who were worth caring about, characters that hopefully people could identify with. And want to travel across the state of Massachusetts with, and see how it turned out for them. And that was true as well, I hope, for Peter Frates, an entirely different character with a completely distinct milieu of emotions from the kids, but someone you could still root for. And hopefully I maintained a continuity describing the day-to-day physical survival needs and activities as well. The other part, the vividness of the writing, I guess every reader will decide that for themselves. I think it goes back to the earlier conversation of writing with a majesty like James Lee Burke. It’s good, and in places very good, and hopefully I can do better.

Everglad: Every question, and every answer, incites further questions. There is so much more to talk about. Marvin’s mother, why you wrote her the way you did? What was your level of research for the book? How is it that a second character with Down Syndrome appears? And of course a number of questions about the narrator and your choice of perspective. I ‘d call it an omniscient third person, with an attitude.

Cushman: I’m yours for as long as you need me, Professor.